Monday, March 28, 2016

Chinese Boxing

Hello!  My name is John.  Welcome to my blog all about MMA.  I will post articles and videos about my favorite martial arts.  Enjoy!

I will post the articles here in the future.

Here are the first forms of the Wing Chun.
Form Video 1
Siu lim tao form.

Form Video 2
Chum Kiu form.

Form Video 3
Biu Jee form.

Form Video 4
Dummy Form Complete.

Form Video 5
Pole form.

Form Video 6
Butterfly knife form.

Form Video 7
Da Hun something form.


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UPDATE FOR 04032016!


FORMS

Siu Lim Tao  小念头小念頭  siu lim tau xiǎo niàn tou little idea
In review the Little Idea Form is presented and performed but in combat
Three strikes are usually used when attacking or counter attacking:
3 Punches  (Reverse/Vertical/Uppercut)
3 Palms (Straight/Side/Diagonal)
3 Chops (Palms Up/Palms Down/Palms to the Side)
3 Finger Jabs  (Palms Up/Palms Down/Palms to the Side)
3 Backhand (Punch/Slap)
3 Elbows (Vertical/Horizontal/Pressing)
<that is a 18 hit combo if performed in sequence>

OUT OF ...
6 strikes each performed once per attack = 6 combinations & 6 permutations.
6 strikes each performed twice in sequence = 15 combinations & 30 permutations.
6 strikes each performed three times in sequence = 20 combinations & 120 permutations.
6 strikes each performed four times in sequence = 15 combinations & 360 permutations.
6 strikes each performed five times in sequence = 6 combinations & 720 permutations.
6 strikes each performed 6 times in sequence = 1 combination & 720 permutations.


OUT OF ...
18 strikes 3 are combined for a total of 816 combinations & 4,896 permutations.



Punch - Punch - Punch
Punch - Palm - Chop
Punch - Palm - Finger Jab
Punch - Chop - Finger Jab
Punch - Palm - Palm
Punch - Punch - Palm


Palm - Palm - Palm
Palm - Punch - Punch
Palm - Punch - Chop
Palm - Chop - Finger Jab


Chop - Chop - Chop
Chop - Palm - Punch
Chop - Palm - Finger Jab


Finger Jab - Finger Jab - Finger Jab
Finger Jab - Chop - Palm
Finger Jab - Palm - Punch
Finger Jab - Palm - Chop


Elbow - Elbow - Elbow
Elbow - Palm - Chop
Elbow - Chop - Palm
Elbow - Punch - Palm
Elbow - Punch - Chop


Shoulder - Shoulder - Shoulder


Hip - Hip - Hip


Gluteus - Gluteus - Gluteus


...
Stay tuned for an updated list!




Chum Kiu  寻桥尋橋  cham kiu  xún qiáo seeking the bridge
What is the difference between The Little Idea Form and the Seeking the Bridge Form?
Well, let's see if I remember the video training...  okay,  moving around & striking like mad!
Here is the breakdown:
Stances = Horse Stance (Left & Right & Back)
Footwork = Side Steps (Inside Bracing & Outside Bracing)
                    Press Horse Step
                    Trust Horse Step

Plus all the Hand & Elbow Techniques:
Thrusting Elbow
Elbow Slice
Uppercut Punches
Outside Parry Punches
Bracing Hand
Fencing Hand

and Plus all the Kicks (Never above the waist!):
Front Kick
Side Kick



See my basics post for all the other moves!
Stay Tuned for updates!



Biu Jee  镖指鏢指  biu ji  biāo zhǐ                                            darting fingers

Update 02172017!
Gock ng Sing -5 Star Blocking Drill
Boang/Tan/Pock/Tan (Basic Combo)
Gahng Gyeuk (feet drill)
Lop/Jing Jyeung
Kuen Siu Kuen - Fist Parries Fist
Fon Kuen Siu Kuen - Whip Punch Parries Punch
Tan Da/Gahng Da (Tan - Punch Combo)
Jom Sau/Fun Sau
Pock/Punch
Jom Sau/Bong Sau
Boang Sau/Lop/Fun Sau
Huen Da Progression (Doubles)
Kwun Sau Snaking (Double Hand Combo)
Jom Sau Chasing
Boang Su Chasing

Straight Punch Drills
Pock/Tan Da/Pock
Jom/Ngoy Jut Da/Jom
Fook/Woo Da/Fook
Loy Seen-Wai Gahng/Jom Sau
Moh Ying Gyeuk - Invisible Kick
Step Off


*Unclear right now but learning & there is foot work to consider
(Knees/Front Kick/Side Kick combos)

Muk Yan Jong  木人桩木人樁  muk yan jong  mù rén zhuāng                          wooden dummy
Okay!   Here are some JKD wooden dummy sets to consider.
PALM - PUNCH
GRAB - PUNCH
PALM - PALM - PUNCH
SIZZOR STRIKE - SIZZOR STRIKE - GRAB - PUNCH
PUNCH - GRAB - PUNCH
PUNCH - GRAB - PUNCH - PUNCH - GRAB - PUNCH
h BACKHAND - l PUNCH - GRAB - PUNCH
PALM - h PUNCH - PALM - h SLAP -
PALM - PUNCH - ELBOW - GRAB PUNCH
PALM - l PUNCH - h PUNCH - PALM - l PUNCH - ELBOW - GRAB PUNCH
PALM - PUNCH - CHOP - GRAB - GRAB - PUNCH

Stay tuned for more JKD form!



Luk Dim Boon Gwun  六点半棍六點半棍  luk dim bun gwan  liù diǎn bàn gùn                                                                                            six and a half point pole



Bat Jam Dou  八斩刀八斬刀  baat jaam dou   bā zhǎn dāo
                                                                                               eight slashing knives



My Conclusions about this style:

DEFENSES

      bong sau  膀手 (as simp.)  bong sau  bǎng shǒu wing arm
      fook sau  伏手  (as simp.)  fuk sau  fú shǒu                         prostrating hand
      man sau  问手問手  man sau  wèn shǒu seeking hand
      wu sau  护手護手  wu sau  hù shǒu                                      protecting hand
      tan sau  摊手攤手  taan sau  tān shǒu                                   dispersing hand
      kau sau  扣手扣手  kau sau  kòu shǒu detaining hand

In any case I am not an expert but can perform the basic defenses on my wooden dummy.
I am beginning to see the combo defense sequence after a basic palm strike or punch.
I learning to stall in beetwen each defense or attack.
My problems so far are what is seeking hand?  detaining hand?
Prostrating hand = covering hand


ATTACKS

      jam sau  枕手  (as simp.)  cham sau  chén shǒu sinking hand
      gaun sau  耕手 (as simp.)  gang sau  gēng shǒu cultivating arm
      jut sau  窒手 (as simp.)  jat sau  zhì shǒu                                 *choking hand
      huen sau  圈手 (as simp.)  huen sau  quán shǒu * circling hand
      lap sau  臘手 (as simp.)  laap sau  lā shǒu                               *  pulling hand
      pak sau  拍手 (as simp.)  paak sau  pāi shǒu * slapping hand
      tok sau  托手  (as simp.)  tok sau  tuō shǒu                               *  lifting hand
      lan sau  拦手攔手  laan sau  lán shǒu                                    *   barring arm
      tie sau  提手 (as simp.)  tai sau  tí shǒu                                 *  uplifting hand
      jip sau  接手 (as simp.) jip sau  jiē shǒu                                   receiving hand
      gum sau  揿手撳手  gam sau  qìn shǒu * pressing hand
      biu sau  镖手鏢手  biu sau  biāo shǒu * darting hand

On a good day I can perform all the attacks on my wooden dummy.
My problems so far are what is sinking hand?  cultivating arm?  receiving hand?
Stopping Hand =? Encircling arm
cultivating arm


.

DRILLS

      dan chi sau  单黐手單黐手 daan chi sau  dān chī shǒu                                                                                                                                     single sticky hands
      luk sau  碌手 (as simp.) luk sau  lù shǒu rolling arms
      seung chi sau  双黐手雙黐手  seung chi  sau shuāng  chī shǒu                                                                                                                         double sticky hands
      chi gerk  黐脚 (as simp.) chi geuk  chī jiǎo sticky feet



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WEAPONS LINKS

https://en.wikipedia.org/wiki/Lists_of_weapons
http://www.martialartsmart.com/weapons.html


AN IMPORTANT TRANSLATION EVERYONE SHOULD KNOW BY ADULTHOOD! 



HERE ARE MORE FIGHT DEFINITIONS! 

UPDATE 2019
I got the Dummy Form Sequence in writing but it is all in Chinese!

Mook Yan Joang Fot Yut Ling Bot Form Sequence
PART I HOY SICK— “YEE” JEE KEEM YEUNG MA INSIDE OF HANDS CHECK DISTANCE—EYE LEVEL SYEUNG JOM SAU SAU KUEN HOY MA 1) (L) JOANG SAU / (R) WOO SAU, (L) BIU JOANG SAU 2) (L) CHOH MA (L) LOP SAU (R) CHAHNG GENG 3) (R) SAU JAHNG 4) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU 5) (R) SEEP MA (R) TAN DA (L) CHAHNG DAI JYEUNG 6) (R) TOY MA GAHNG/JOM SAU 7) (R) TOH MA NGOY KWUN SAU 8) (L) SEEP MA (L) TAN DA (R) CHAHNG DAI JYEUNG 9) (L) TOY MA GAHNG/JOM SAU 10) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 11) (R) JOANG SAU / (L) WOO SAU, (R) BIU JOANG SAU 12) (R) CHOH MA (R) LOP SAU (L) CHAHNG GENG 13) (L) CHUM JAHNG 14) (R) CHOH MA (L) BOANG SAU / (R) WOO SAU 15) (L) SEEP MA (L) TAN DA (R) CHAHNG DAI JYEUNG 16) (L) TOY MA GAHNG/JOM SAU 17) (L) TOH MA NGOY KWUN SAU 18) (R) SEEP MA (R) TAN DA (L) DAI CHAHNG JYEUNG 19) (R) TOY MA GAHNG/JOM SAU 20) (L) LOY SEEN WAI LOY KWUN SAU, (R) CHOH MA (R) JUT DA (L) CHAHNG DAI JYEUNG (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 21) (L) CHOH MA (R) LOY MOON POCK SAU / (L) WOO SAU, (R) CHOH MA (L) LOY MOON POCK SAU / (R) WOO SAU, (L) CHOH MA (R) LOY MOON POCK SAU / (L) WOO SAU 22) (R) CHOH MA (L) KAU SAU / (R) WOO SAU, (L) FUN SAU 23) (L) CHOH MA (JING MA) POH JOONG KUEN 24) (L) CHOH MA (R) KAU SAU / (L) WOO SAU, (R) FUN SAU
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25) (R) CHOH MA (JING MA) POH JOONG KUEN (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 26) (L) CHOH MA (R) DAI BOANG SAU / (L) WOO SAU 27) (L) TOH MA / (L) NGOY MOON POCK DA CHUO KUEN (R) FUN SAU 28) (R) BOANG SAU / (L) WOO SAU / FON SUN (R) DENG JING GYEUK, (R) SYEUNG MA (L) DAI BOANG SAU / (R) WOO SAU 29) (R) TOH MA / (R) NGOY MOON POCK DA CHUO KUEN (L) WAHNG JYEUNG 30) (L) BOANG SAU / (R) WOO SAU / FON SUN (L) HUEN JING GYEUK, (L) SYEUNG MA GAHNG/JOM SAU 31) (R) LOY SEEN WAI LOY KWUN SAU 32) (L) JING MA KWOK SAU, SYEUNG CHAHNG DAI JYEUNG, SYEUNG CHAHNG JYEUNG, SYEUNG CHUM SAU, SYEUNG PAU SAU 33) (R) CHOH MA LOY KWUN SAU, (L) CHOH MA LOY KWUN SAU, (R) CHOH MA LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 34) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (L) JAU WAI (R) TAN DA (L) CHAHNG DAI JYEUNG / (R) YAI SUT, (R) SYEUNG MA GAHNG/JOM SAU 35) (L) LOY SEEN WAI LOY KWUN SAU, (R) CHOH MA LOY KWUN SAU, (L) CHOH MA LOY KWUN SAU, (R) CHOH MA (R) JUT DA (L) CHAHNG DAI JYEUNG (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 36) (R) CHOH MA (L) BOANG SAU / (R) WOO SAU, (R) JAU WAI (L) TAN DA (R) CHAHNG DAI JYEUNG / (L) YAI SUT DAI GYEUK, (L) SYEUNG MA GAHNG/JOM SAU 37) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 38) (R) HUEN FOOK SAU, LOY JUT SAU, BIU SAU 39) (L) CHOH MA / (R) JOM SAU, (R) LOY SEEN WAI (R) HUEN DA (L) CHAHNG DAI JYEUNG 40) (R) TOH MA NGOY KWUN SAU, (L) JING MA [(R) TOP] POH PAI JYEUNG 41) (R) CHOH MA (L) BOANG SAU / (R) WOO SAU, (L) SEEP MA [(R) TOP] POH PAI JYEUNG, (L) TOY MA GAHNG/JOM SAU 42) (R) JING MA [(R) TOP] POH PAI JYEUNG 43) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (R) SEEP MA [(R) TOP] POH PAI JYEUNG, (R) TOY MA GAHNG/JOM SAU
Close Range Combat Wing Chun: Volume Three
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44) (L) LOY SEEN WAI LOY KWUN SAU, (R) CHOH MA (R) JUT DA (L) CHAHNG DAI JYEUNG (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 45) (L) HUEN FOOK SAU, JUT SAU, BIU SAU 46) (R) CHOH MA / (L) JOM SAU, (L) LOY SEEN WAI (L) HUEN DA (R) CHAHNG DAI JYEUNG 47) (L) TOH MA NGOY KWUN SAU, (R) JING MA [(L) TOP] POH PAI JYEUNG 48) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (R) SEEP MA [(L) TOP] POH PAI JYEUNG, (R) TOY MA GAHNG/JOM SAU 49) (L) JING MA [(L) TOP] POH PAI JYEUNG 50) (R) CHOH MA (L) BOANG SAU / (R) WOO SAU, (L) SEEP MA [(L) TOP] POH PAI JYEUNG, (L) TOY MA GAHNG/JOM SAU 51) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 52) (R) CHOH MA GAHNG/JOM SAU, (L) CHOH MA GAHNG/JOM SAU, (R) CHOH MA GAHNG/JOM SAU 53) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (R) LOY SEEN WAI (R) LOP SAU / (L) FUN SAU 54) (L) LOY SEEN WAI (L) JUT DA (R) CHAHNG GENG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 55) (L) CHOH MA GAHNG/JOM SAU, (R) CHOH MA GAHNG/JOM SAU, (L) CHOH MA GAHNG/JOM SAU 56) (R) CHOH MA (L) BOANG SAU / (R) WOO SAU, (L) LOY SEEN WAI (L) LOP SAU / (R) FUN SAU 57) (R) LOY SEEN WAI (R) JUT DA (L) CHAHNG GENG (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 58) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (R) TAN DA (L) CHAHNG DAI JYEUNG / (L) YAI HAU GYEUK, (R) SYEUNG MA GAHNG/JOM SAU 59) (R) TOH MA (L) BOANG SAU / (R) WOO SAU, (L) TAN DA (R) CHAHNG DAI JYEUNG / (R) YAI HAU GYEUK, (L) SYEUNG MA GAHNG/JOM SAU 60) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU SAU SICK (OPTIONAL) END OF PART I
Mook Yan Joang Fot Yut Ling Bot Form Sequence
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PART II 61) (L) CHOH MA (R) GUM SAU / (L) WOO SAU, (R) CHOH MA (L) GUM SAU / (R) WOO SAU, (L) CHOH MA (R) GUM SAU / (L) WOO SAU 62) (R) SEEP MA (L) POCK DA (R) DAI JYEUNG, (R) TOY MA (L) GUM SAU / (R) WOO SAU 63) (L) CHOH MA (R) GUM SAU / (L) WOO SAU, (R) CHOH MA (L) GUM SAU / (R) WOO SAU 64) (L) SEEP MA (R) POCK DA (L) JUCK JYEUNG, (L) TOY MA (R) GUM SAU / (L) WOO SAU 65) (L) POCK SAU / (R) WOO SAU / (R) CHAI SUT DAI GYEUK, (R) SYEUNG MA (L) GUM SAU / (R) WOO SAU 66) (R) POCK SAU / (L) WOO SAU / (R) YAI SUT DAI GYEUK, (L) SYEUNG MA (R) GUM SAU / (L) WOO SAU 67) (L) POCK SAU / (R) WOO SAU / (R) NGOY TIU GYEUK 68) BAI YING (R) JING NGAU GYEUK / (L) JOANG SAU / (R) WOO SAU, WUI YING (L) GUM SAU / (R) WOO SAU 69) (R) POCK SAU / (L) WOO SAU / (L) NGOY TIU GYEUK 70) BAI YING (L) JING NGAU GYEUK / (R) JOANG SAU / (L) WOO SAU, WUI YING (R) BOANG SAU, (L) POCK DA (R) FOONG NGON KUEN KUP (R) YAI SUT, (R) SYEUNG MA GAHNG/JOM SAU 71) (R) TOH MA (L) BOANG SAU / (R) WOO SAU, (R) POCK DA (L) FOONG NGON KUEN KUP (L) YAI SUT, (L) SYEUNG MA GAHNG/JOM SAU 72) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) CHAHNG JYEUNG 73) (L) CHOH MA LOY KWUN SAU, (R) CHOH MA (R) JUT DA (L) CHAHNG DAI JYEUNG 74) (R) CHOH MA LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) CHAHNG DAI JYEUNG 75) (L) CHOH MA LOY KWUN SAU, (R) CHOH MA (R) JUT DA (L) CHAHNG JYEUNG (L) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 76) (L) CHOH MA (R) DAI BOANG SAU / (L) WOO SAU, (R) CHOH MA (L) DAI BOANG SAU / (R) WOO SAU, (L) CHOH MA (R) DAI BOANG SAU / (L) WOO SAU, (R) GYEUNG JEE KUEN, (R) CHUEN GING JING JYEUNG 77) (R) CHOH MA (L) DAI BOANG SAU / (R) WOO SAU, (L) CHOH MA (R) DAI BOANG SAU / (L) WOO SAU, (R) CHOH MA (L) DAI BOANG SAU / (R) WOO SAU, (L) GYEUNG JEE KUEN, (L) CHUEN GING JING JYEUNG
Close Range Combat Wing Chun: Volume Three
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78) (L) CHOH MA (R) DAI BOANG SAU / (L) WOO SAU 79) (R) JUEN BOCK GUM JYEUNG 80) (R) TAN/POCK SAU / (R) TAN SUT, SYEUNG WOO SAU / (R) JUT GYEUK, SYEUNG LOP SAU / (R) TAI SUT, (R) SYEUNG MA (L) DAI BOANG SAU / (R) WOO SAU 81) (L) JUEN BOCK GUM JYEUNG 82) (L) TAN/POCK SAU / (L) TAN SUT, SYEUNG WOO SAU / (L) JUT GYEUK, SYEUNG LOP SAU / (L) HAY SUT, (L) SYEUNG MA GAHNG/JOM SAU 83) (L) CHOH MA NGOY KWUN SAU, (L) NGOY MOON POCK DA CHUO KUEN (R) CHUO KUEN 84) JAU WAI (R) HUEN DA (L) FUN SAU KUP (R) YAI SUT, (R) SYEUNG MA JEEP SAU 85) (L) CHOH MA (L) KAU DA (R) JOONG LOH JUEN KUEN, (R) CHOH MA GAHNG/JOM SAU 86) (R) TOH MA NGOY KWUN SAU, (R) NGOY MOON POCK DA CHUO KUEN (L) CHUO KUEN 87) JAU WAI (L) HUEN DA (R) FUN SAU KUP (L) YAI SUT, (L) SYEUNG MA JEEP SAU 88) (R) CHOH MA (R) KAU DA (L) JOONG LOH CHAU KUEN, (R) CHOH MA GAHNG/JOM SAU 89) (R) LOY SEEN WAI LOY KWUN SAU, (L) CHOH MA (L) JUT DA (R) JING JYEUNG (R) JING MA SYEUNG LOY JUT SAU, SYEUNG TOCK SAU 90) (L) CHOH MA (R) BOANG SAU / (L) WOO SAU, (L) GUM JAHNG / (R) SOH GYEUK 91) BAI YING (R) LOY NGAU GYEUK / (R) LON JOANG SAU / (L) WOO SAU, WUI YING (L) POCK DA (R) LOY DOY GOCK KUEN 92) (R) TOH MA (R) NGOY MOON POCK DA (L) CHOP KUEN 93) (R) HAU CHONG MA (L) BOANG SAU / (R) WOO SAU, (R) CHEH SAU / (L) SOH GYEUK 94) BAI YING (L) LOY NGAU GYEUK / (L) LON JOANG SAU / (R) WOO SAU, WUI YING (R) POCK DA (L) LOY DOY GOCK KUEN 95) (L) TOH MA (L) NGOY MOON POCK DA (R) CHOP KUEN (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 96) (L) CHOH MA (L) TAN DA, (R) CHOH MA (L) GOH LOH POH JOONG KUEN 97) (R) CHOH MA (R) TAN DA, (L) CHOH MA (R) GOH LOH POH JOONG KUEN 98) (L) CHOH MA (L) GAHNG DA, (R) CHOH MA (L) JOONG LOH POH JOONG KUEN
Mook Yan Joang Fot Yut Ling Bot Form Sequence
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99) (R) CHOH MA (R) GAHNG DA, (L) CHOH MA (R) JOONG LOH POH JOONG KUEN (R) JING MA SYEUNG LOY JUT SAU, SYEUNG PAU SAU 100) (R) SYEUNG MA (L) DAI BOANG SAU / (R) WOO SAU 101) (L) BIU JOANG SAU / (R) DUNG JING GYEUK 102) (R) POCK SAU / (L) WOO SAU / (R) FOOK SUT, (R) TAN SAU / (R) BOANG GYEUK, (R) BOANG SAU / (R) CHAI WAHNG GYEUK, (R) SYEUNG MA (L) JOANG SAU / (R) WOO SAU 103) (L) SYEUNG MA (R) DAI BOANG SAU / (L) WOO SAU 104) (R) BIU JOANG SAU / (L) DUNG JING GYEUK 105) (L) POCK SAU / (R) WOO SAU/ (L) FOOK SUT, (L) TAN SAU / (L) BOANG GYEUK, (L) BOANG SAU / (L) CHAI WAHNG GYEUK, (L) SYEUNG MA (R) JOANG SAU / (L) WOO SAU 106) SLIDE (L) FOOT TO (R), SYEUNG LOY JUT SAU / (R) JING GYEUK, SYEUNG PAU SAU / (R) YAI SUT DAI GYEUK 107) PUT (R) FOOT DOWN NEXT TO (L), SYEUNG LOY JUT SAU / (L) JING GYEUK, SYEUNG PAU SAU/ (L) YAI SUT DAI GYEUK 108) SAU SICK PUT LEFT FOOT DOWN NEXT TO RIGHT PALMS TO CHEST, THEN DOWN EXHALE END OF THE MOOK YAN JOANG FORM

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FIGHTS

 

Biu Jee -   darting fingers

 

Gock ng Sing -5 Star Blocking Drill

Boang/Tan/Pock/Tan (Basic Combo)

Gahng Gyeuk (feet drill)

Lop/Jing Jyeung

Kuen Siu Kuen - Fist Parries Fist

Fon Kuen Siu Kuen - Whip Punch Parries Punch

Tan Da/Gahng Da (Tan - Punch Combo)

Jom Sau/Fun Sau

Pock/Punch

Jom Sau/Bong Sau

Boang Sau/Lop/Fun Sau

Huen Da Progression (Doubles)

Kwun Sau Snaking (Double Hand Combo)

Jom Sau Chasing

Boang Su Chasing

 

Straight Punch Drills

Pock/Tan Da/Pock

Jom/Ngoy Jut Da/Jom

Fook/Woo Da/Fook

Loy Seen-Wai Gahng/Jom Sau

Moh Ying Gyeuk - Invisible Kick

Step Off

 

 

Gock ng Sing -5 Star Blocking Drill

The Gock Ng Sing - 5 Star Blocking Drill is a training exercise used in martial arts, particularly in Wing Chun Kung Fu. This drill focuses on developing the practitioner's ability to block attacks from multiple angles while maintaining balance, speed, and precision.

 

Wing Chun Kung Fu is known for its practical and efficient techniques, emphasizing simultaneous defense and attack. The Gock Ng Sing - 5 Star Blocking Drill is a fundamental exercise in Wing Chun, teaching students how to protect themselves effectively in a dynamic combat situation.

 

The drill is named after the five points on a star, which represent different angles of attack. The practitioner stands in a neutral stance, ready to move in any direction. The goal is to block incoming attacks from these five angles using specific Wing Chun blocking techniques.

 

The first angle is straight ahead, representing a direct punch towards the practitioner's centerline. The practitioner blocks this attack using a Pak Sao (slap block) or Bong Sao (wing arm block), redirecting the force of the punch away from their body.

 

The second angle is from the side, representing a hook punch or a strike from the side. The practitioner uses a Tan Sao (palm-up block) or a Jut Sao (jerking hand block) to intercept and deflect the attack, keeping their guard up.

 

The third angle is from the other side, mirroring the second angle. The practitioner repeats the same blocking techniques on this side, maintaining awareness of attacks from both directions.

 

The fourth angle is from above, representing an overhead strike or a grab. The practitioner uses a high Bong Sao or a Gan Sao (low hand block) to defend against this attack, keeping their head protected.

 

The fifth angle is from below, representing a low kick or a sweep. The practitioner uses a low Bong Sao or a Kao Sao (leg block) to protect against this attack, keeping their balance and stability.

 

As the practitioner becomes more proficient, the drill can be performed at increasing speeds and with varying levels of force. This helps to develop quick reflexes and the ability to adapt to different types of attacks.

 

The Gock Ng Sing - 5 Star Blocking Drill is not only a physical exercise but also a mental one, requiring focus, concentration, and situational awareness. It teaches the practitioner to anticipate attacks and react swiftly and decisively.

 

Overall, the Gock Ng Sing - 5 Star Blocking Drill is an essential training exercise in Wing Chun Kung Fu, helping practitioners to develop the skills necessary for effective self-defense in real-life situations.

 

 

 

 

 

Boang/Tan/Pock/Tan (Basic Combo)

The Boang/Tan/Pock/Tan combo is a fundamental sequence of techniques in Wing Chun Kung Fu, designed to teach students how to chain together defensive and offensive movements fluidly and efficiently. Each technique in the combo serves a specific purpose and builds upon the previous one, creating a cohesive and effective series of actions.

 

1. Boang Sao (Wing Arm Block):

   - The sequence begins with the Boang Sao, which is a sweeping motion of the arm used to deflect an incoming attack. The practitioner's arm moves in a circular motion to intercept and redirect the opponent's strike away from the body. This establishes the initial defense and sets up for the next technique.

 

2. Tan Sao (Palm-Up Block):

   - Following the Boang Sao, the Tan Sao is employed as a secondary block or transitionary movement. The Tan Sao is a palm-up block that provides additional protection and control against the opponent's attack. It helps to maintain a barrier between the practitioner and the opponent while preparing for the next phase of the combination.

 

3. Pock Sao (Slap Block):

   - After executing the Tan Sao, the practitioner follows up with the Pock Sao, also known as the slap block. This technique involves a quick and sharp movement of the hand to intercept and disrupt the opponent's defense or attack. The Pock Sao can be used to clear the opponent's guard or create an opening for a counterattack.

 

4. Tan Sao (Palm-Up Block):

   - The sequence concludes with another Tan Sao, similar to the second step in the combo. The Tan Sao serves as a final defensive measure or a transitional movement, providing cover and stability as the practitioner prepares to either continue the attack or disengage from the encounter.

 

The Boang/Tan/Pock/Tan combo is practiced repeatedly to develop muscle memory, timing, and coordination. It teaches students to seamlessly transition between different defensive and offensive techniques while maintaining balance and control. Additionally, the combo serves as a foundation for more advanced techniques and combinations in Wing Chun Kung Fu.

 

Practitioners of Wing Chun Kung Fu strive to execute techniques with precision, speed, and efficiency, and the Boang/Tan/Pock/Tan combo exemplifies these principles. By mastering this basic sequence, students can progress to more complex and sophisticated maneuvers, ultimately enhancing their overall martial arts skills and effectiveness in self-defense situations.

 

 

 

Gahng Gyeuk (feet drill)

Gahng Gyeuk, or "footwork drill," is a fundamental exercise in Wing Chun Kung Fu that focuses on developing agility, balance, and coordination in foot movements. This drill is essential for practitioners to effectively control distance, angle, and positioning in combat situations, allowing them to evade attacks and maintain advantageous positions.

 

The Gahng Gyeuk drill typically involves a series of stepping patterns and directional changes, performed in a controlled and deliberate manner. Practitioners practice moving forward, backward, sideways, and in circular motions, mimicking the footwork needed to navigate around an opponent or to close the distance for an attack.

 

Key components of the Gahng Gyeuk drill include:

 

1. Forward Steps (Chum Ma): Practitioners practice stepping forward with the lead foot, maintaining balance and stability. This movement is crucial for closing the distance between oneself and the opponent while maintaining a defensive stance.

 

2.  Backward Steps (Toi Ma): Practitioners practice stepping backward with the rear foot, maintaining balance and keeping the opponent at a safe distance. This movement is essential for creating space and avoiding incoming attacks.

 

3. Side Steps (Biu Ma): Practitioners practice stepping to the side, either to the left or right, to evade attacks or change angles. Side stepping allows practitioners to create openings for counterattacks while maintaining a defensive posture.

 

4. Pivot Steps (Ji Ma): Practitioners practice pivoting on one foot to change direction quickly. Pivot steps are useful for maintaining facing towards the opponent while moving around them or adjusting positioning during an exchange.

 

5. Triangle Steps (Sam Gyeuk Ma): Practitioners practice stepping in a triangular pattern, moving forward, to the side, and backward in a fluid motion. Triangle steps are useful for maintaining optimal positioning and creating angles of attack or defense.

 

6. Circle Steps (Yun Ma): Practitioners practice moving in a circular pattern, either clockwise or counterclockwise. Circle steps are useful for controlling the centerline, creating angles, and evading attacks.

 

The Gahng Gyeuk drill is typically performed slowly at first to focus on proper technique and weight distribution. As practitioners become more proficient, they can increase speed and fluidity, simulating real combat scenarios. By mastering the Gahng Gyeuk drill, Wing Chun practitioners can enhance their overall mobility, control, and effectiveness in self-defense situations.

 

 

 

 

 

 

 

 

Lop/Jing Jyeung

In Wing Chun Kung Fu, "Lop Sao" (Pulling Hand) and "Jing Jyeung" (Elbow Control) are two techniques used in close-quarters combat to control an opponent's arms and create openings for strikes or takedowns. These techniques are part of the Chi Sao (Sticky Hands) training and are essential for developing sensitivity, timing, and control in a dynamic fight.

 

1. Lop Sao (Pulling Hand):

   - Lop Sao is a technique used to control or redirect an opponent's arm. It involves using one hand to "lop" or pull the opponent's arm downward or across their body, disrupting their balance and opening up space for a counterattack. Lop Sao is often used in conjunction with other techniques to set up traps or to break the opponent's guard.

 

2. Jing Jyeung (Elbow Control):

   - Jing Jyeung is a technique used to control an opponent's elbow, typically after a Lop Sao or as a standalone move. By controlling the opponent's elbow, the practitioner can limit the opponent's range of motion and prevent them from striking effectively. Jing Jyeung can also be used to off-balance the opponent and create opportunities for follow-up attacks or takedowns.

 

In Chi Sao training, practitioners practice these techniques in a controlled and repetitive manner, allowing them to develop sensitivity to their opponent's movements and intentions. Through constant practice, practitioners learn to anticipate and respond to changes in pressure and direction, enabling them to maintain control and counter effectively.

 

Lop Sao and Jing Jyeung are not only effective techniques for controlling an opponent but also serve as principles that can be applied to various situations. They teach practitioners the importance of sensitivity, timing, and adaptability in combat, helping them to become more versatile and effective martial artists.

 

 

 

 

 

 

Kuen Siu Kuen - Fist Parries Fist

Kuen Siu Kuen, also known as "Fist Parries Fist," is a fundamental technique in Wing Chun Kung Fu used for defense against straight punches. This technique is designed to intercept and redirect an opponent's punch, simultaneously protecting oneself and creating an opening for a counterattack. Kuen Siu Kuen is a core principle in Wing Chun, emphasizing efficiency, directness, and simultaneous attack and defense.

 

The technique is executed as follows:

 

1. Defense Position:

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. The lead hand is positioned in a vertical Wu Sao (protecting hand) guard, while the rear hand is in a fist position, ready to execute the parry.

 

2. Parry:

   - As the opponent throws a straight punch, the practitioner uses the rear hand to parry the punch to the outside, deflecting it away from the body. The parry is executed with a forward and downward motion, using the forearm to redirect the punch.

 

3. Counterattack:

   - Immediately after the parry, the practitioner launches a counterattack with the lead hand. This can be a punch, a palm strike, or another technique aimed at the opponent's centerline.

 

4. Simultaneous Defense and Attack:

   - One of the key principles of Kuen Siu Kuen is the concept of simultaneous defense and attack. By parrying the opponent's punch and counterattacking in one fluid motion, the practitioner maintains pressure on the opponent while defending themselves.

 

5. Follow-up:

   - After the initial counterattack, the practitioner can continue to follow up with additional strikes or control techniques, depending on the situation.

 

Kuen Siu Kuen is practiced extensively in Wing Chun training to develop speed, timing, and precision in defense and counterattacks. It teaches practitioners to react instinctively to incoming attacks and to capitalize on openings in the opponent's defense. Mastery of Kuen Siu Kuen is essential for effective self-defense in close-quarters combat, where quick and decisive actions can make the difference between success and failure.

 

 

 

 

Fon Kuen Siu Kuen - Whip Punch Parries Punch

Fon Kuen Siu Kuen, or "Whip Punch Parries Punch," is a technique in Wing Chun Kung Fu that combines a defensive parry with an offensive strike. This technique is used to deflect an opponent's punch while simultaneously delivering a counterattack, allowing the practitioner to defend and attack in one fluid motion.

 

The technique is executed as follows:

 

1. Defense Position:

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. The lead hand is positioned in a vertical Wu Sao (protecting hand) guard, while the rear hand is in a fist position, ready to execute the whip punch.

 

2. Parry:

   - As the opponent throws a straight punch, use the lead hand to parry the punch to the outside, deflecting it away from the body. The parry is executed with a whipping motion, using the forearm to redirect the punch.

 

3. Whip Punch:

   - Immediately after the parry, launch a whip punch with the rear hand. The whip punch is a fast, snapping punch that generates power from the rotation of the waist and hips. The punch is aimed at the opponent's centerline, exploiting the opening created by the parry.

 

4. Simultaneous Defense and Attack:

   - Like Kuen Siu Kuen, Fon Kuen Siu Kuen emphasizes the concept of simultaneous defense and attack. By parrying the opponent's punch and delivering a counterattack in one motion, the practitioner maintains pressure on the opponent while defending themselves.

 

5. Follow-up:

   - After the initial whip punch, follow up with additional strikes or control techniques as needed to maintain the advantage.

 

Fon Kuen Siu Kuen is a versatile technique that can be used in various combat situations. It requires speed, timing, and precision to effectively deflect the opponent's punch and deliver a powerful counterattack. By mastering this technique, Wing Chun practitioners can defend themselves while simultaneously keeping the pressure on their opponent, increasing their chances of success in a confrontation.

 

 

 

 

Tan Da/Gahng Da (Tan - Punch Combo)

Tan Da/Gahng Da, or Tan - Punch Combo, is a common technique sequence in Wing Chun Kung Fu that combines a Tan Sao (Palm-Up Block) with a straight punch. This combination allows for simultaneous defense and attack, characteristic of Wing Chun's practical and efficient fighting principles. The Tan Da/Gahng Da combo is designed to quickly intercept an opponent's attack and deliver a counterattack with minimal telegraphing.

 

The technique is executed as follows:

 

1. Defense Position:

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. The lead hand is positioned in a vertical Wu Sao (protecting hand) guard, while the rear hand is in a fist position, ready to execute the punch.

 

2. Tan Sao (Palm-Up Block):

   - As the opponent throws a punch, use the lead hand to execute a Tan Sao, deflecting the punch to the outside. The Tan Sao is a palm-up block that redirects the opponent's attack away from the body while maintaining a barrier between the practitioner and the opponent.

 

3. Da (Punch):

   - Immediately after the Tan Sao, follow up with a punch from the rear hand. The punch is executed with speed and power, aimed at the opponent's centerline. The punch is typically a straight punch but can also be a hook punch or uppercut, depending on the situation.

 

4. Gahng Da (Follow-up Punch):

   - If the initial punch does not incapacitate the opponent, follow up with a second punch from the lead hand. This follow-up punch adds pressure and keeps the opponent off balance, allowing for further attacks or control techniques.

 

5. Simultaneous Defense and Attack:

   - The Tan Da/Gahng Da combo exemplifies the Wing Chun principle of simultaneous defense and attack. By deflecting the opponent's attack with the Tan Sao and immediately counterattacking with punches, the practitioner maintains pressure on the opponent while defending themselves.

 

6. Follow-up:

   - After the Tan Da/Gahng Da combo, continue to follow up with additional strikes, control techniques, or footwork to maintain the advantage and control the flow of the fight.

 

The Tan Da/Gahng Da combo is a versatile and effective technique in Wing Chun, suitable for a variety of combat situations. It teaches practitioners to respond quickly and decisively to incoming attacks while maintaining a strong offense. Mastery of this combo requires practice to develop speed, timing, and precision in both defense and attack.

 

 

 

 

 

 

 

Jom Sau/Fun Sau

Jom Sau/Fun Sau is a combination of techniques in Wing Chun Kung Fu that involves a grabbing hand (Jom Sau) followed by a returning hand (Fun Sau). This combination is used to control an opponent's arm and create openings for counterattacks.

 

Here's how the technique is executed:

 

1. Jom Sau (Grabbing Hand):

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. As the opponent throws a punch, use one hand (usually the lead hand) to execute a Jom Sau, which is a grabbing motion to control the opponent's punching arm. The Jom Sau is aimed at the opponent's wrist or forearm, allowing you to control their arm and prevent further attacks.

 

2. Fun Sau (Returning Hand):

   - After grabbing the opponent's arm with Jom Sau, immediately follow up with a Fun Sau, which is a returning hand technique. Fun Sau is typically a strike or a palm-up block aimed at the opponent's face or upper body. This technique capitalizes on the control established with Jom Sau to deliver a quick and effective counterattack.

 

3. Control and Counter:

   - The combination of Jom Sau and Fun Sau allows you to simultaneously control the opponent's arm and strike, creating a fluid and effective defense and attack sequence. By grabbing the opponent's arm with Jom Sau, you disrupt their attack and set up the opening for a counterattack with Fun Sau.

 

4. Speed and Timing:

   - Mastery of Jom Sau/Fun Sau requires speed, timing, and precision. The techniques must be executed quickly and decisively to be effective. Practicing the combination repeatedly will help develop the muscle memory needed to execute the techniques smoothly in a combat situation.

 

5. Follow-up:

   - After executing Jom Sau/Fun Sau, you can follow up with additional strikes, control techniques, or footwork to maintain the advantage and control the flow of the fight.

 

Jom Sau/Fun Sau is a versatile technique that can be applied in various combat situations. It teaches practitioners to use the opponent's attacks against them, controlling their movements while setting up opportunities for counterattacks. Mastery of this combination requires practice and refinement of timing, sensitivity, and control.

 

 

 

 

 

Pock/Punch

Pock/Punch is a combination of techniques in Wing Chun Kung Fu that involves a slap block (Pock Sao) followed by a punch. This combination is used to deflect an opponent's attack and counterattack quickly and decisively.

 

Here's how the technique is executed:

 

1. Pock Sao (Slap Block):

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. As the opponent throws a punch, use one hand (usually the lead hand) to execute a Pock Sao, which is a quick and sharp slap block. The Pock Sao is aimed at the opponent's punching arm, deflecting it away from your body and creating an opening for a counterattack.

 

2. Punch:

   - Immediately after executing the Pock Sao, follow up with a punch from the other hand (usually the rear hand). The punch is aimed at the opponent's centerline, exploiting the opening created by the Pock Sao. The punch should be fast and powerful, using the momentum generated by the Pock Sao to add force to the strike.

 

3. Simultaneous Defense and Attack:

   - The Pock/Punch combination exemplifies the Wing Chun principle of simultaneous defense and attack. By deflecting the opponent's attack with the Pock Sao and immediately counterattacking with a punch, you maintain pressure on the opponent while defending yourself.

 

4. Speed and Timing:

   - Mastery of Pock/Punch requires speed, timing, and precision. The techniques must be executed quickly and decisively to be effective. Practicing the combination repeatedly will help develop the muscle memory needed to execute the techniques smoothly in a combat situation.

 

5. Follow-up:

   - After executing the Pock/Punch combination, you can follow up with additional strikes, control techniques, or footwork to maintain the advantage and control the flow of the fight.

 

Pock/Punch is a versatile technique that can be applied in various combat situations. It teaches practitioners to respond quickly and decisively to incoming attacks, using a combination of defense and offense to maintain control of the fight. Mastery of this combination requires practice and refinement of timing, sensitivity, and control.

 

 

 

 

 

Jom Sau/Bong Sau

Jom Sau/Bong Sau is a combination of techniques in Wing Chun Kung Fu that involves a grabbing hand (Jom Sau) followed by a wing arm block (Bong Sau). This combination is used to control an opponent's arm and defend against attacks from multiple angles.

 

Here's how the technique is executed:

 

1. Jom Sau (Grabbing Hand):

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. As the opponent throws a punch, use one hand (usually the lead hand) to execute a Jom Sau, which is a grabbing motion to control the opponent's punching arm. The Jom Sau is aimed at the opponent's wrist or forearm, allowing you to control their arm and prevent further attacks.

 

2. Bong Sau (Wing Arm Block):

   - After grabbing the opponent's arm with Jom Sau, immediately follow up with a Bong Sau. The Bong Sau is a wing arm block that deflects attacks aimed at your upper body. It is executed with the other hand (usually the rear hand), which comes up and across the body in a circular motion to intercept and redirect the opponent's punch.

 

3. Control and Defense:

   - The combination of Jom Sau and Bong Sau allows you to simultaneously control the opponent's arm and defend against attacks. By grabbing the opponent's arm with Jom Sau and using Bong Sau to block incoming strikes, you can effectively neutralize the opponent's attack and create opportunities for counterattacks.

 

4. Speed and Timing:

   - Mastery of Jom Sau/Bong Sau requires speed, timing, and precision. The techniques must be executed quickly and decisively to be effective. Practicing the combination repeatedly will help develop the muscle memory needed to execute the techniques smoothly in a combat situation.

 

5. Follow-up:

   - After executing Jom Sau/Bong Sau, you can follow up with additional strikes, control techniques, or footwork to maintain the advantage and control the flow of the fight.

 

Jom Sau/Bong Sau is a versatile technique that can be applied in various combat situations. It teaches practitioners to control the opponent's movements while defending against attacks, using a combination of grabbing, blocking, and striking techniques. Mastery of this combination requires practice and refinement of timing, sensitivity, and control.

 

 

 

 

 

 

 

 

 

 

Boang Sau/Lop/Fun Sau

Boang Sau/Lop/Fun Sau is a combination of techniques in Wing Chun Kung Fu that involves a sweeping block (Boang Sau), a pulling hand (Lop Sau), and a returning hand (Fun Sau). This combination is used to deflect an opponent's attack, control their arm, and deliver a counterattack.

 

Here's how the technique is executed:

 

1. Boang Sau (Sweeping Block):

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. As the opponent throws a punch, use one hand (usually the lead hand) to execute a Boang Sau, which is a sweeping block that deflects the punch to the outside. The Boang Sau is aimed at the opponent's punching arm, redirecting it away from your body.

 

2. Lop Sau (Pulling Hand):

   - After deflecting the opponent's punch with Boang Sau, immediately follow up with a Lop Sau. The Lop Sau is a pulling hand technique used to control the opponent's arm. It is executed with the same hand that performed the Boang Sau, grabbing the opponent's arm and pulling it downward and across your body.

 

3. Fun Sau (Returning Hand):

   - After grabbing the opponent's arm with Lop Sau, immediately follow up with a Fun Sau. The Fun Sau is a returning hand technique, typically a strike or a palm-up block aimed at the opponent's face or upper body. This technique capitalizes on the control established with Lop Sau to deliver a quick and effective counterattack.

 

4. Control and Counter:

   - The combination of Boang Sau, Lop Sau, and Fun Sau allows you to simultaneously deflect the opponent's attack, control their arm, and deliver a counterattack. By using Boang Sau to deflect the punch, Lop Sau to control the opponent's arm, and Fun Sau to strike, you can effectively neutralize the opponent's attack and create opportunities for counterattacks.

 

5. Speed and Timing:

   - Mastery of Boang Sau/Lop Sau/Fun Sau requires speed, timing, and precision. The techniques must be executed quickly and decisively to be effective. Practicing the combination repeatedly will help develop the muscle memory needed to execute the techniques smoothly in a combat situation.

 

6. Follow-up:

   - After executing the Boang Sau/Lop Sau/Fun Sau combination, you can follow up with additional strikes, control techniques, or footwork to maintain the advantage and control the flow of the fight.

 

This combination of techniques is a versatile and effective method for dealing with incoming attacks in close-quarters combat. It teaches practitioners to respond quickly and decisively to threats while maintaining control and creating opportunities for counterattacks. Mastery of Boang Sau/Lop Sau/Fun Sau requires practice and refinement of timing, sensitivity, and control.

 

 

 

 

 

Huen Da Progression (Doubles)

"Huen Da" in Wing Chun Kung Fu refers to a circling or rotating hand technique. The "Huen Da Progression (Doubles)" likely involves practicing this circling hand technique with both hands simultaneously. This exercise helps develop coordination, fluidity, and sensitivity in the arms and hands, which are essential for Wing Chun's close-range combat.

 

Here's how the progression might be practiced:

 

1. Start Position:

   - Begin in a Wing Chun stance, with the body relaxed and the arms in a neutral position.

 

2. Circling Both Hands:

   - Simultaneously, start circling both hands in a horizontal motion, as if drawing small circles in front of you. Keep the movements smooth and continuous, using the wrists and elbows to create the circles. This helps in developing coordination between both arms.

 

3. Changing Directions:

   - After a period of circling in one direction, switch to circling in the opposite direction. This helps in developing ambidexterity and coordination in both arms.

 

4. Varying Speeds:

   - Practice circling at different speeds, starting slow to focus on the technique and then gradually increasing speed. This helps in developing control and agility in the arms.

 

5. Adding Variations:

   - Once comfortable with the basic circling motion, you can add variations such as changing the size of the circles, combining the circling with footwork, or incorporating strikes or blocks between the circling motions.

 

6. Partner Drills:

   - To further develop sensitivity and control, practice the circling motion with a partner. One partner can apply light pressure or resistance to the circling arms, while the other maintains the circling motion and adjusts to the pressure.

 

The Huen Da Progression (Doubles) is a foundational exercise in Wing Chun that helps develop essential skills for close-quarters combat, such as sensitivity, coordination, and fluidity of movement. Practicing this progression regularly can improve your overall Wing Chun skills and enhance your ability to respond effectively in a dynamic combat situation.

 

 

 

 

 

Kwun Sau Snaking (Double Hand Combo)

"Kwun Sau Snaking" in Wing Chun Kung Fu likely refers to a combination of techniques involving the Kwun Sau (Rotating Hand) movement with both hands, possibly in a snaking or winding motion. This exercise is designed to develop coordination, fluidity, and sensitivity in the arms and hands, which are crucial for close-quarters combat in Wing Chun.

 

Here's how the progression might be practiced:

 

1. Start Position:

   - Begin in a Wing Chun stance, with the body relaxed and the arms in a neutral position.

 

2. Kwun Sau (Rotating Hand):

   - Simultaneously, start performing Kwun Sau with both hands. Kwun Sau involves rotating the arms in a circular motion, as if turning a doorknob, with the wrists and elbows working together to create the rotation. This movement helps in developing coordination and fluidity in the arms.

 

3. Snaking Motion:

   - As you perform the Kwun Sau motion, add a snaking or winding component to the movement. Imagine your arms are like snakes, weaving and winding around each other in a controlled and fluid manner. This adds an element of flexibility and adaptability to your movements.

 

4. Changing Directions:

   - After a period of snaking in one direction, switch to snaking in the opposite direction. This helps in developing ambidexterity and coordination in both arms.

 

5. Varying Speeds:

   - Practice snaking at different speeds, starting slow to focus on the technique and then gradually increasing speed. This helps in developing control and agility in the arms.

 

6. Adding Variations:

   - Once comfortable with the basic snaking motion, you can add variations such as changing the size of the circles, combining the snaking with footwork, or incorporating strikes or blocks between the snaking motions.

 

7. Partner Drills:

   - To further develop sensitivity and control, practice the snaking motion with a partner. One partner can apply light pressure or resistance to the snaking arms, while the other maintains the snaking motion and adjusts to the pressure.

 

Kwun Sau Snaking (Double Hand Combo) is a fundamental exercise in Wing Chun that helps develop essential skills for close-quarters combat, such as sensitivity, coordination, and fluidity of movement. Practicing this combination regularly can improve your overall Wing Chun skills and enhance your ability to respond effectively in a dynamic combat situation.

 

 

 

 

 

Jom Sau Chasing

"Jom Sau Chasing" in Wing Chun Kung Fu likely refers to a practice drill that involves the use of Jom Sau (Chasing Hand) technique. Jom Sau is used to chase and control an opponent's arms, typically in close-quarters combat. This drill helps practitioners develop sensitivity, timing, and control in their arm movements.

 

Here's how the drill might be practiced:

 

1. Start Position:

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. Keep your arms relaxed and ready to move.

 

2. Chasing Hand (Jom Sau):

   - As the opponent throws a punch or makes a grabbing motion, use one hand (usually the lead hand) to execute a Jom Sau. Jom Sau involves extending the arm forward in a chasing motion, as if reaching out to control the opponent's arm.

 

3. Control and Follow-up:

   - As you execute the Jom Sau, aim to make contact with the opponent's arm and maintain control over it. Once you have control, you can follow up with other techniques, such as strikes, locks, or takedowns.

 

4. Varying Speeds and Intensity:

   - Practice the drill at different speeds, starting slow to focus on technique and then gradually increasing speed. You can also vary the intensity of the drill to simulate different levels of resistance from the opponent.

 

5. Changing Directions:

   - Practice the drill with both hands, alternating between the lead hand and rear hand. This helps develop ambidexterity and coordination in both arms.

 

6. Adding Variations:

   - Once you are comfortable with the basic Jom Sau Chasing drill, you can add variations such as changing the angle of the Jom Sau, incorporating footwork, or combining the drill with other techniques.

 

7. Partner Drills:

   - To further develop sensitivity and control, practice the drill with a partner. One partner can act as the attacker, throwing punches or making grabbing motions, while the other practices the Jom Sau Chasing technique to control the attacks.

 

Jom Sau Chasing is a valuable drill in Wing Chun training, as it helps develop crucial skills for close-quarters combat, such as sensitivity, timing, and control. By practicing this drill regularly, practitioners can improve their ability to respond effectively to an opponent's attacks and maintain control in a dynamic combat situation.

 

 

 

 

 

Boang Su Chasing

"Boang Su Chasing" in Wing Chun Kung Fu likely refers to a practice drill that involves the use of Boang Sau (Wing Arm Block) technique for chasing and controlling an opponent's arms. Boang Sau is a blocking and deflecting technique used to redirect an opponent's attacks, and the "chasing" aspect of this drill suggests a dynamic and fluid application of the technique.

 

Here's how the drill might be practiced:

 

1. Start Position:

   - Begin in a Wing Chun stance, with the body facing the opponent square-on. Keep your arms relaxed and ready to move.

 

2. Boang Sau (Wing Arm Block):

   - As the opponent throws a punch or makes a grabbing motion, use one hand (usually the lead hand) to execute a Boang Sau. The Boang Sau involves raising the arm in a circular motion to intercept and deflect the opponent's attack.

 

3. Chasing and Control:

   - After executing the Boang Sau, aim to "chase" the opponent's arm, maintaining contact and control over it. This may involve following the opponent's arm as they retract it, keeping your arm in contact to control their movement.

 

4. Follow-up:

   - Once you have control over the opponent's arm, you can follow up with other techniques, such as strikes, locks, or takedowns. The key is to maintain control and keep the opponent off balance.

 

5. Varying Speeds and Intensity:

   - Practice the drill at different speeds, starting slow to focus on technique and then gradually increasing speed. You can also vary the intensity of the drill to simulate different levels of resistance from the opponent.

 

6. Changing Directions:

   - Practice the drill with both hands, alternating between the lead hand and rear hand. This helps develop ambidexterity and coordination in both arms.

 

7. Adding Variations:

   - Once you are comfortable with the basic Boang Su Chasing drill, you can add variations such as changing the angle of the Boang Sau, incorporating footwork, or combining the drill with other techniques.

 

8. Partner Drills:

   - To further develop sensitivity and control, practice the drill with a partner. One partner can act as the attacker, throwing punches or making grabbing motions, while the other practices the Boang Su Chasing technique to control the attacks.

 

Boang Su Chasing is a valuable drill in Wing Chun training, as it helps develop crucial skills for close-quarters combat, such as sensitivity, timing, and control. By practicing this drill regularly, practitioners can improve their ability to respond effectively to an opponent's attacks and maintain control in a dynamic combat situation.

 

 

 

 

 

Straight Punch Drills

Straight punch drills are fundamental in Wing Chun Kung Fu, focusing on developing the technique, speed, and accuracy of the straight punch, which is a key weapon in Wing Chun's arsenal. These drills can vary in complexity and intensity, catering to practitioners at different levels of skill and experience. Here's a basic outline of how straight punch drills might be conducted:

 

1. Basic Punching Technique:

   - Start with a focus on the correct form and mechanics of the straight punch. Emphasize the use of the hips and waist to generate power, the alignment of the arm, wrist, and knuckles, and the retraction of the punch back to the guard position.

 

2. Air Punching:

   - Practice throwing straight punches in the air, focusing on speed, power, and full extension. Visualize a target and aim to hit it with each punch. This helps develop muscle memory and conditioning.

 

3. Focus Mitts/Targets:

   - Partner up and use focus mitts or padded targets to practice the straight punch. The holder can call out combinations or random punches for the striker to execute, improving reaction time and accuracy.

 

4. Punching Drill Combinations:

   - Combine the straight punch with other techniques, such as blocks, kicks, or footwork. This helps integrate the punch into a more comprehensive fighting strategy.

 

5. Speed Drills:

   - Focus on rapid-fire punching, aiming for maximum speed while maintaining proper form. This helps develop quick reflexes and the ability to chain punches together effectively.

 

6. Power Drills:

   - Practice punching against resistance, such as heavy bags or resistance bands, to develop power in the punch. Focus on driving through the target with the whole body.

 

7. Reaction Drills:

   - Incorporate reaction drills where the practitioner has to respond to a cue (visual or auditory) to throw a punch. This helps develop quick decision-making and reflexes.

 

8. Distance Control:

   - Practice punching from different distances to the target, learning to adjust the length and speed of the punch based on the opponent's position.

 

9. Combination Drills:

   - Combine the straight punch with other techniques in flowing combinations. This helps improve fluidity and adaptability in combat situations.

 

10. Shadow Boxing:

    - Perform shadow boxing, visualizing an opponent and using the straight punch along with footwork and defensive movements. This helps develop overall fighting strategy and conditioning.

 

These drills should be practiced regularly and progressively to develop proficiency in the straight punch, which is a cornerstone of Wing Chun's striking techniques.

 

 

 

 

Pock/Tan Da/Pock

The combination "Pock/Tan Da/Pock" in Wing Chun Kung Fu refers to a sequence of techniques involving a slap block (Pock Sao), a palm-up deflecting hand (Tan Sao), and another slap block (Pock Sao). This combination is used for defense and counterattack against an opponent's attack. Here's how it is executed:

 

1. Pock Sao (Slap Block):

   - Begin in a Wing Chun stance, with your arms in a guarding position. As the opponent attacks, use one hand (usually the lead hand) to perform a Pock Sao, which is a quick slap block aimed at deflecting the attack to the side.

 

2. Tan Sao (Palm-up Deflecting Hand):

   - Immediately after the Pock Sao, use the same hand to perform a Tan Sao, which is a palm-up deflecting hand technique. The Tan Sao is aimed at redirecting the opponent's attack away from your centerline.

 

3. Da (Strike):

   - Following the Tan Sao, use your other hand (usually the rear hand) to execute a punch or strike (Da) towards the opponent's centerline. This strike is aimed at exploiting the opening created by the Tan Sao and delivering a counterattack.

 

4. Pock Sao (Slap Block):

   - Finally, use the hand that performed the Tan Sao to execute another Pock Sao. This slap block is used to further control the opponent's arm and create space for follow-up techniques or to disengage from the engagement.

 

5. Fluid Motion and Continuity:

   - The key to this combination is to perform the techniques in a fluid and continuous motion, transitioning smoothly from one technique to the next. This requires coordination, timing, and control.

 

6. Practice and Application:

   - Practice this combination slowly at first to ensure proper technique and coordination. As you become more comfortable, increase the speed and intensity of your practice. Visualize a realistic opponent and scenario to better apply the techniques in a combat situation.

 

7. Variations and Adaptations:

   - Depending on the situation, you can adapt the combination by varying the angle and force of your strikes, as well as incorporating footwork to adjust your position relative to the opponent.

 

The "Pock/Tan Da/Pock" combination is a versatile and effective sequence of techniques in Wing Chun Kung Fu, combining defense and counterattack in a fluid and efficient manner. Regular practice of this combination will help develop your overall skill and proficiency in Wing Chun techniques.

 

 

 

 

Jom/Ngoy Jut Da/Jom

The combination "Jom/Ngoy Jut Da/Jom" in Wing Chun Kung Fu involves a series of techniques used for defense and counterattack. Here's a breakdown of each component:

 

1. Jom Sao (Sinking Arm):

   - Jom Sao is a downward palm strike used to intercept or control an opponent's arm. It is often used as a defensive technique to disrupt the opponent's attack.

 

2. Ngoy Jut (Upward Palm):

   - Ngoy Jut is an upward palm strike used to attack the opponent's chin, throat, or chest. It is a powerful technique that can disrupt the opponent's balance and create openings for further attacks.

 

3. Da (Strike):

   - Da refers to a straight punch or strike aimed at the opponent's centerline. It is a fundamental technique in Wing Chun and is used to deliver quick and direct attacks.

 

4. Execution:

   - The combination starts with a Jom Sao to intercept or control the opponent's attack. This is followed by a Ngoy Jut to attack the opponent's upper body. Finally, a Da is executed to deliver a powerful strike to the opponent's centerline.

 

5. Continuity and Flow:

   - The key to this combination is to execute the techniques with fluidity and continuity, transitioning smoothly from one technique to the next. This requires coordination, timing, and control.

 

6. Practice and Application:

   - Practice this combination slowly at first to ensure proper technique and coordination. As you become more comfortable, increase the speed and intensity of your practice. Visualize a realistic opponent and scenario to better apply the techniques in a combat situation.

 

7. Adaptations:

   - Depending on the situation, you can adapt the combination by varying the angle and force of your strikes, as well as incorporating footwork to adjust your position relative to the opponent.

 

The "Jom/Ngoy Jut Da/Jom" combination is a versatile and effective sequence of techniques in Wing Chun Kung Fu, combining defense and counterattack in a fluid and efficient manner. Regular practice of this combination will help develop your overall skill and proficiency in Wing Chun techniques.

 

 

 

 

 

 

 

 

Fook/Woo Da/Fook

The combination "Fook/Woo Da/Fook" in Wing Chun Kung Fu involves a series of techniques used for defense, attack, and control. Here's a breakdown of each component:

 

1. Fook Sao (Subduing Hand):

   - Fook Sao is a deflection or clearing technique used to redirect an opponent's attack. It is performed with the lead hand, sweeping across to clear the path for a counterattack.

 

2. Woo Sao (Protecting Hand):

   - Woo Sao is a protective hand technique used to guard against attacks or control the opponent's arms. It is typically performed with the rear hand, providing a barrier between you and the opponent.

 

3. Da (Strike):

   - Da refers to a straight punch or strike aimed at the opponent's centerline. It is a fundamental technique in Wing Chun and is used to deliver quick and direct attacks.

 

4. Execution:

   - The combination starts with a Fook Sao to deflect or clear the opponent's attack. This is followed by a Woo Sao to protect against further attacks or control the opponent's arms. Finally, a Da is executed to deliver a powerful strike to the opponent's centerline.

 

5. Continuity and Flow:

   - The key to this combination is to execute the techniques with fluidity and continuity, transitioning smoothly from one technique to the next. This requires coordination, timing, and control.

 

6. Practice and Application:

   - Practice this combination slowly at first to ensure proper technique and coordination. As you become more comfortable, increase the speed and intensity of your practice. Visualize a realistic opponent and scenario to better apply the techniques in a combat situation.

 

7. Adaptations:

   - Depending on the situation, you can adapt the combination by varying the angle and force of your strikes, as well as incorporating footwork to adjust your position relative to the opponent.

 

The "Fook/Woo Da/Fook" combination is a versatile and effective sequence of techniques in Wing Chun Kung Fu, combining defense, attack, and control in a fluid and efficient manner. Regular practice of this combination will help develop your overall skill and proficiency in Wing Chun techniques.

 

 

 

 

Loy Seen-Wai Gahng/Jom Sau

The combination "Loy Seen-Wai Gahng/Jom Sau" in Wing Chun Kung Fu involves a series of techniques used for defense and counterattack. Here's a breakdown of each component:

 

1. Loy Seen-Wai Gahng (Leopard Fist - Forward Elbow Strike):

   - Loy Seen is a striking technique derived from the Leopard Fist method, which involves a quick and powerful elbow strike aimed at the opponent's centerline. Wai Gahng refers to the forward or advancing nature of the strike, emphasizing its aggressive and penetrating quality.

 

2. Jom Sau (Sinking Arm):

   - Jom Sau is a downward palm strike used to intercept or control an opponent's arm. It is often used as a defensive technique to disrupt the opponent's attack.

 

3. Execution:

   - The combination starts with a Loy Seen-Wai Gahng, where you execute a forward elbow strike to the opponent's centerline, aiming to disrupt their attack and create an opening. This is followed by a Jom Sau, which is used to control the opponent's arm or follow up with another strike.

 

4. Continuity and Flow:

   - The key to this combination is to execute the techniques with fluidity and continuity, transitioning smoothly from one technique to the next. This requires coordination, timing, and control.

 

5. Practice and Application:

   - Practice this combination slowly at first to ensure proper technique and coordination. As you become more comfortable, increase the speed and intensity of your practice. Visualize a realistic opponent and scenario to better apply the techniques in a combat situation.

 

6. Adaptations:

   - Depending on the situation, you can adapt the combination by varying the angle and force of your strikes, as well as incorporating footwork to adjust your position relative to the opponent.

 

The "Loy Seen-Wai Gahng/Jom Sau" combination is a versatile and effective sequence of techniques in Wing Chun Kung Fu, combining an aggressive elbow strike with a control technique in a fluid and efficient manner. Regular practice of this combination will help develop your overall skill and proficiency in Wing Chun techniques.

 

 

 

 

Moh Ying Gyeuk - Invisible Kick

"Moh Ying Gyeuk" in Wing Chun Kung Fu refers to the "Invisible Kick." This technique is a deceptive move used to feint a kick without actually making contact. It is designed to create openings in the opponent's defense and to control the distance between you and your opponent. Here's a breakdown of the technique:

 

1. Feinting the Kick:

   - To perform the Moh Ying Gyeuk, you begin by lifting your knee as if you are going to kick. The key is to make the movement look convincing, as if you are actually going to kick the opponent.

 

2. Control and Deception:

   - As you lift your knee, you can use your hands to create further deception. For example, you can use a hand motion as if you are grabbing or controlling the opponent's arm or head to distract them from the fact that the kick is not coming.

 

3. Maintaining Balance:

   - While performing the feint, it's important to maintain your balance and not commit too much weight to the movement. This allows you to quickly transition to another technique if the feint is successful.

 

4. Creating Openings:

   - The goal of the Moh Ying Gyeuk is to create openings in the opponent's defense by making them react to the feint. This can create opportunities for follow-up attacks or for you to reposition yourself in a more advantageous position.

 

5. Timing and Execution:

   - The effectiveness of the Invisible Kick lies in the timing and execution. It should be performed quickly and smoothly to catch the opponent off guard.

 

6. Combination with Other Techniques:

   - The Moh Ying Gyeuk can be combined with other techniques to further deceive the opponent. For example, you can feint a kick and then quickly transition into a hand strike or a takedown.

 

7. Practice and Application:

   - Like all Wing Chun techniques, the Moh Ying Gyeuk requires practice to develop proficiency. Practice the feinting motion slowly at first, focusing on making it look realistic. As you become more comfortable, you can increase the speed and fluidity of the movement.

 

The Moh Ying Gyeuk is a valuable technique in Wing Chun Kung Fu, used to deceive and control the opponent. When executed effectively, it can create openings for further attacks and help you maintain control of the fight.

 

 

 

 

Step Off

"Step Off" is a term used in martial arts, including Wing Chun Kung Fu, to describe a defensive movement where a practitioner steps to the side or diagonally to evade an incoming attack. This movement is used to create angles and distance from the opponent, allowing the practitioner to reposition themselves for a counterattack or to avoid being struck.

 

In Wing Chun, the Step Off technique is typically used in conjunction with other defensive techniques, such as blocks or deflections, to evade an attack while simultaneously setting up for a counterattack. The key to a successful Step Off is timing and footwork, as it requires quick and decisive movement to avoid being hit.

 

Here's a basic breakdown of how a Step Off might be executed in Wing Chun:

 

1. Recognition of the Attack:

   - The practitioner must first recognize the incoming attack and determine the direction in which to step off.

 

2. Stepping Off:

   - As the attack comes in, the practitioner steps to the side or diagonally, using their lead foot to move first, followed by the rear foot. The movement should be quick and fluid, taking them out of the line of attack.

 

3. Maintaining Balance:

   - It's important to maintain balance while stepping off to ensure readiness for a counterattack. The practitioner should keep their weight centered and be prepared to move in any direction if needed.

 

4. Counterattack or Re-engage:

   - After stepping off, the practitioner can choose to counterattack if an opening presents itself or re-engage with the opponent using other Wing Chun techniques.

 

5. Practice and Application:

   - Like all techniques in Wing Chun, the Step Off requires practice to develop proficiency. Practitioners should practice stepping off against various attacks and at different angles to become comfortable with the movement.

 

Overall, the Step Off is a useful defensive technique in Wing Chun, allowing practitioners to evade attacks and create opportunities for counterattacks. When executed effectively, it can help maintain control of a confrontation and keep the practitioner safe from harm.

















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